IRON MAIDEN's first album in six years, "Senjutsu" was recorded in 2019 in Paris with longstanding producer Kevin Shirley and co-produced by bassist Steve Harris. It marked MAIDEN's second consecutive double album behind 2015's "The Book Of Souls" which is the longest MAIDEN album, with a running time of 92 minutes.
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"The Future Past Tour" features previously unperformed songs from the band's most recent studio album, "Senjutsu", along with a focus on 1986's "Somewhere In Time" LP, plus other classic cuts.Īs was the case on Sunday, May 28 in Ljubljana, Slovenia, IRON MAIDEN's 15-song set at the O2 Arena included "Days Of Future Past", "The Time Machine", "Death Of The Celts" and "Hell On Earth" from "Senjutsu", along with "Alexander The Great" from "Somewhere In Time".Īsked in a radio interview a number of years ago why IRON MAIDEN had never played "Alexander The Great" live, singer Bruce Dickinson answered, "Because Adrian can't remember the guitar solo." While Dickinson may have been joking, he did go on to say that, when the song was originally written, they put the solo through a load of then-very-advanced music computer wizardry, and it just couldn't figure out the time signature. It's an incredibly life-affirming message, especially for a film that balances raunchy action scenes involving bad guys licking walls or busting out into singing Ave Maria to gain interdimensional powers (it totally makes sense in the context of the film).British heavy metal legends IRON MAIDEN played the second concert of their "The Future Past Tour" earlier today (Tuesday, May 30) in Prague, Czech Republic. In the film's darkest moments, it steps into the boundaries of nihilism when confronted with the infinite nature of the universe, but it ultimately embraces the gift of being alive, even just for the brief amount of time we have, to be with the people we love. Above all, this is an immigrant story of living life in America, which resonated for me as someone with a parent who traveled to a strange land to make a life for himself.
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It grounds the movie when it comes to its emotional core, about family and living with regret. Everything Everywhere All at Once is a surreal film, but it always uses that in service to its characters. The directors' style is all about stretching the limits of what's real, almost to the point of venturing into a surreal live-action cartoon. This go-for-broke energy from their previous works carries over into Everything Everywhere All at Once, and it really elevates much of the humor and action into some crowd pleasing moments. The film is directed by Daniels (Daniel Kwan and Daniel Scheinert, get it?), who previously worked on the oddball but still touching comedy Swiss Army Man and the infamous music video for DJ Snake and Lil' Jon's Turn Down for What. Other standouts include James Hong as Evelyn's aging father and Evelyn's daughter Joy (played by Stephanie Hsu), who plays a pivitol role in the plot, with her different incarnations tied directly into the film's emotional arc.Īnother reason why the film works so well is from the creators themselves.
Curtis is also playing against type as a villain relentlessly hunting down a victim. An IRS auditor with strong "Karen" energy, Deirdre is imbued with interdimensional powers. Jamie Lee Curtis, playing Deirdre, is also a fantastic antagonist in the film. His scenes are satisfying to watch play out, and he's a natural at showing physical comedy and bonding with Yeoh during the film's more dramatic heights. One is a timid middle-aged husband with self-doubts, another is a badass resistance fighter who channels the swagger and effortlessness of heroes from Hong Kong-style action films. Quan effectively plays multiple roles in the film, and he deftly hops between his different incarnations of Waymond. This is his first major role following early retirement due to being typecast after his roles as Data in The Goonies and as Short Round in Indiana Jones and the Temple of Doom. But it also provides great moments for its supporting cast, including Key Huy Quan.
In many ways, Everything Everywhere All at Once feels like a tribute to Yeoh, showcasing how talented and often underutilized she is.
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